Days of Glory by Rachid Bouchareb

Days of Glory by Rachid Bouchareb

‘Days of glory’ is a war movie about the North-Africans who are recruited to liberate France from the Germen’s occupation Read More

The Rif Lover

The Rif Lover

The film is based on Noufissa Sbaï’s novel with the same name in French. Narjiss Nejjar continues her mother aim and moves it from fiction Read More

Casanegra by Nour Eddine Lakhmari

Casanegra by Nour Eddine Lakhmari

There are several movies that have been shot in Casablanca, and each movie tackles a certain facet of life in the Read More

Whatever Lola Wants by Nabil ayouch

Whatever Lola wants

'Whatever Lola Wants' is a trans-cultural movie which is shot in America, Morocco, and Egypt. The movie follows a dream of a girl Read More

They are The Dogs

They are The Dogs by Hicham Lasri

Here we continue our journey with another film ‘The are The dogs’ written and produced by the Moroccan director Read More

Wednesday, 25 May 2016

'A Thousand Months' by Faouzi Bensaidi

'A Thousand Months' is produced by Faouzi Bensaidi. The movie is about ,Mehdi, a seven years old child whom his father is in prison, he lives with his mother in his grandfather’s house. Mehdi’s father is a teacher who is imprisoned under the charge of provoking students into protests, but Mehdi is told by his mother that his father is working in France. The grandfather is doing his best to keep the basic needs of the family. In that, he suffers too much living on the fact that his land being confiscated by the same country he fought for in the war of liberation. In school, Mehdi is privileged by carrying the teacher’s chair from and to his home.

Beyond the story of Mehdi who represent the new generation that live under the socio-political pressure there is another hidden story in parallel with the main story that tell us much more about the state policy in dealing people. Corruption of school and  corruption of authority are another imperatives of the second story. Bensaidi built his movie from different parts to organize a consistent picture of the social institutions in their interaction.

Through the movie we see the reflection of missed up country that restricts people's freedom of speech and protest and a child who pears up the harshness of carrying a chair for his teacher from home to school every day. The picture here is symbolic, and we only could understand it if we know the symbolism of the chair in the movie. The chair is a symbol of power and authority, yet students as a future generation can trick the teacher who is a symbol of authority with a nail up in the chair. This act connotes a  revolutionary meaning that even young generation may get outrageous when they are excessively tormented.
Mehdi uses the chair to contemplate and enjoy the views from a high places. He somehow experiences the grand feeling by sharing the chair with his teacher which makes the sitting on it quite different.



‘A thousand Months’ is screened in 1997 during Ramadan month in the Atlas mountains. 

Tuesday, 10 May 2016

‘Le Grand Voyage’ (The Great Journey) by Ismael Ferroukhi: Religion VsSecularism

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‘Le Grand Voyage’ is written and directed by Ismael Ferroukhi. It stirs up the issue of ‘Beur Generatin’ who are the children of immigrant and their clash with ancestral culture.

The story is about an immigrant father (Mohamed Majd) who forces his secular younger son to drive him from Marseille to Mecca. The son, Reda (Nicolas Cazale), cannot refuse his father’s decision; therefore, he gives up himself to his dominant father. During the beginning of the journey there is an intense communication between the father and the son that almost end up with argument. In their way, they encounter some incidents that only create more turmoil in their relationship. When they almost reach Mecca, Reda asks his father about the particularity of the place (Mecca), and the father explains to him the role of pilgrimage as an important ritual in Islamic religion. In the last scenes, Reda and his father try to understand each other seeking for better understanding for each one’s world even if they live under the same roof.

‘le grand voyage’ represents not only a father and a son relationship, but it sheds light into east and west relationship; an east that most of its population are Muslims and a secular west. This ideological background hinders communication. The movie also stresses on the patriarchy in which any mean of communication between the father and his son is blown off. Thus, the movie teaches us to listen, understand, and respect the other no matter who they are. In addition, the director ends his movie with the voice of Amina Alaoui singing a Sufi song of Ibn Arabi :
         My heart has become capable of every form: it is a pasture for gazelles


and a convent for Christian monks, and a temple for idols and the


           pilgrim’s Kaaba, and the tables of the Torah and the book of the Quran.


I follow the religion of Love that is my religion and my faith.

The movie was released in France on November 24, 2004 and won several awards. Once finished watching it, I could not help projecting myself as a Moroccan on the idea of estrangement and alienation of who ever that does not belong to the club. Thus, Ferroukhi succeeded to represent the issue well and push people to reconsider their attitudes.